A mother lives quietly with her son. One day, a girl is brutally killed, and the boy is charged with the murder. Now, it's his mother's mission to prove him innocent.
A teenage girl is captured by a giant mutated squid-like creature that appears from Seoul's Han River after toxic waste was dumped in it, prompting her family into a frantic search for her.
An idle part-time college lecturer is annoyed by the yapping sound of a nearby dog. He decides to take drastic action.
During the late 1980s, two detectives in a South Korean province attempt to solve the nation's first series of rape-and-murder cases.
The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.
A twist of fate leaves a hapless accountant romantically torn between two sisters.
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Quintanilla family was found dead in their country side house. Police reported the existence of 37 hours of recorded evidence. The family traveled to their old farm house, where they investigated about the Legend of the Girl in the Garraf woods. They used to record whatever they did. Atrocious shows the last five days of this family, and the strange situations that they lived in those moments and which remain unexplained.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Stanley Putterman installs a state-of-the-art satellite dish in his backyard, soon unleashing a strange monster that leaps off the screen and needs to feed on humans for survival.
Drifting through his gap year with its internships and travel plans, Jack has always suspected there was more to life than this. A chance encounter with the beautiful and ethereal Evelyn swerves his life radically off course.
Civilisation is coming to an end. The death of his only relative gives a feral boy the pretext to journey beyond the confines of his home environment; only by doing this will he be able to decipher his father's journal, the most valuable artefact in his legacy. This singular contribution to the post-apocalyptic sci-fi genre tells of a humanity in crisis, while at the same time conveying the adventurous spirit of adolescence.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Professional assassin O has resided in an isolated world of killing and loneliness. But his life begins to change once he meets the innocent Chin; hired to clean O's apartment. However, soon the flamboyent and reckless Tok enters Chin's life with a mission to unveil O's identity and usurp his place as the number one sharp-shooting assassin in the game.
Tale of a 15-year-old Australian girl who went missing.
Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.
Three decades after their separation, Irina and Nana remain mesmerized by memories of earlier days. But when Irina returns to the small community she left — where Nana stayed to start a traditional family — the women must reconcile with the past and their complex feelings.
Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.
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